Guitare where is my mind

These chords are common chord substitutions found in jazz guitar and are used by every great jazz guitarist. To build a 3 to 9 chord, you play one chord such as Fmaj7 over the underlying chord Dm7 to create the interval pattern An example of this would be playing Bbmaj7 11 over C7.

So, whenever you are comping, and you see a 7 th chord, just play a maj7 11 one tone down from that chord to build a rootless 13 th sound in your playing. The second Lydian sub is when you play a maj7 11 chord from the 3 rd of a dominant 7 th chord. If you ever have a 7 th chord, you can play a maj7 11 from the 3 rd to create a 7 altered sound over that underlying chord. These are chords built by stacking 4 th intervals, compared to the traditional stacking of 3rds you are used to seeing and playing.

Quartal chords tend to sound more modern, but they can be used in bebop and more traditional jazz genres as well. Most of the chords in this study are drop 2 chords played on the top four strings. Drop 2 chords are built with the interval pattern , and all inversions built up from there. Gracias por el trabajo que haceis. Good question. Hope that helps. I had to re-visit this lesson and re-study it. Dirk and Matt you guys are awesome for everything you have given all of us!

These comping etudes and everything else you have provided are great lessons! I have learned so much and can now improvise my own comping etudes over a lot of the standards. Your website just gets better and better. Thank you so much,and keep up the good work.

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